Showing posts with label Morning Prayer. Show all posts
Showing posts with label Morning Prayer. Show all posts

June 7, 2014

Poem: The Morning-Watch

Prayer is the World in Tune, a Spirit Voice

The Morning-Watch is by the Welch physician, author, and poet, Henry Vaughan (1621-1695). It was first published in his 1650 collection: Silex Scintillans (The Flaming Flint) and is included in the Poems for All Seasons Appendix of the Divine Office (1974).


Read by poet, Brian Nellist


THE MORNING-WATCH by Henry Vaughan, 1650 (Public Domain)

O joys! infinite sweetness! with what flower’s
And shoots of glory my soul breaks and buds!
              All the long hours
              Of night, and rest,
              Through the still shrouds
              Of sleep, and clouds,
       This dew fell on my breast;
       Oh, how it bloods
And spirits all my earth! Hark! In what rings
And hymning circulations the quick world
              Awakes and sings;
              The rising winds
              And falling springs,
              Birds, beasts, all things
       Adore him in their kinds.
              Thus all is hurl’d
In sacred hymns and order, the great chime
And symphony of nature. Prayer is
              The world in tune,
              A spirit voice,
              And vocal joys
       Whose echo is heav’n’s bliss.
              O let me climb
When I lie down! The pious soul by night
Is like a clouded star whose beams, though said
              To shed their light
              Under some cloud,
              Yet are above,
              And shine and move
       Beyond that misty shroud.
              So in my bed,
That curtain’d grave, though sleep, like ashes, hide
My lamp and life, both shall in thee abide.

March 9, 2014

We Bless You, Father, Lord of Life

Painting by Max Fürst - Courtesy of Wikipedia

We Bless You, Father, Lord of Life is written by the Benedictine Nuns of Stanbrook Abbey. In the Divine Office (1974) it is sung at Friday Morning Prayer (Weeks 1 and 3). For it's musical setting, the Office recommends the hymn tune: Saxony. An alternative tune that can also be used is Wareham, as featured in the following video.

Alternative Tune: Wareham

February 17, 2014

O Christ the Light of Heaven

You Come in All Your Radiance

O Christ the Light of Heaven is written by the Benedictine Nuns of Stanbrook Abbey. In the Divine Office (1974) it is sung at Tuesday (Week 1) Morning Prayer. The recommended musical setting in the Divine Office is the tune: Narenza, first published in the Hymnologium of 1584 . An alternative tune that can also be used is Christus Der Ist Mein Leben, as featured in the following video.


Alternative Tune: Christus Der Ist Mein Leben (with introduction)

February 16, 2014

Lord God, Your Light Which Dims the Stars

All that Springs to Life in You, Your Glory Sings

Lord God, Your Light Which Dims the Stars is written by the Benedictine Nuns of Stanbrook Abbey. In the Divine Office (1974), it is sung at Wednesday Morning Prayer (Week 1). The suggested musical setting in the Divine Office is the hymn tune: Providence. I have not been able to locate any alternative tune that I can recommend.

January 10, 2014

Liturgical Guide: Morning Prayer (Lauds)


"In the morning, while it was still very dark, he got up and went out to a deserted place, and there he prayed." - Mark 1:35

The hymns selected for Morning Prayer (Lauds) in Divine Office call to mind a threefold theme of resurrection: nature awakening at the dawn of a new day, our Savior rising from the dead, and the spiritual awaking of the human soul. Chapter 2:38 of the General Instruction of the Liturgy of the Hours says of this of Morning Prayer: "Celebrated as it is as the light of a new day is dawning, this hour also recalls the resurrection of the Lord Jesus, the true light enlightening all people (see Jn 1:9) and 'the sun of justice' (Mal 4:2), 'rising from on high' (Lk 1:78)."

LITURGY OF THE HOURS (1975)
1. On This Day, the First of Days
2. Brightness of the Father's Glory
3. Sion, Sing
4. Morning Has Broken
5. Darkness Has Faded
6. When Morning Fills the Sky
7. Lord Whose Love in Humble Service
8. Praise, My Soul, the King of Heaven
9. Sing with All the Sons of Glory
10. I Sing the Mighty Power of God
11. All You Nations
12. This Day God Gives Me
13. God Father, Praise and Glory
14. All Creatures of Our God and King
15. O God of Light
16. We Turn to You, O God
17. Christ is the World's Light
18. Breathe on Me, Breath of God
19. From All That Dwell Below the Skies (with Alleluias)
20. From All That Dwell Below the Skies
82. Sing Praise to Our Creator
91. With Hearts Renewed
151. Praise the Lord, Ye Heavens, Adore Him

DIVINE OFFICE (1974)
All People Who on Earth Do Dwell
Alone with None but Thee, My God
Christ is the World's Redeemer
Come, O Creator Spirit, Come
Father, We Praise You, Now the Night is Over
I Am the Holy Vine
It Were My Soul's Desire
Lord God, Your Light which Dims the Stars
Now that the Daylight Fills the Sky
O Christ the Light of Heaven
Sing All Creation, Sing to God in Gladness
The Day is Filled with Splendour
The Father's Glory, Christ Our Light
Transcendent God in Whom We Live
We Bless You, Father, Lord of Life

ROMAN BREVIARY
Aeterna Caeli Gloria
Aeterne Rerum Conditor
Ales Diei Nuntius
Aurora Iam Spargit Polum
Ecce Iam Noctis
Iam Lucis Orto Sidere
Lux Ecce Surgit Aurea
Nox et Tenebrae et Nubila
Sol Ecce Surgit Igneus
Splendor Paternae Gloriae

December 14, 2013

Now that the Daylight Fills the Sky / Iam Lucis Orto Sidere

We Lift Our Hearts to God on High

Now that the Daylight Fills the Sky is a translation of the 6th century Latin hymn: Iam Lucis Orto Sidere, at­trib­ut­ed to St. Am­brose of Mi­lan (337-397). Also known as Jam Lucis Orto Sidere, it is traditionally sung at the morning hour of Prime in the Roman Breviary. In 1852 it was translated into English by the Anglican priest, scholar and hymn-writer: John M. Neale. In the Divine Office the suggested musical setting is Saxony. A more commonly used tune is Herr Jesu Christ, as featured in the following video. In the Divine Office, Now that the Daylight Fills the Sky is used at Morning Prayer.


Tune: Herr Jesu Christ

NOW THAT THE DAYLIGHT FILLS THE SKY by John M. Neale, 1852 (Public Domain)

1. Now that the daylight fills the sky,
We lift our hearts to God on high,
That He, in all we do or say,
Would keep us free from harm today.

2. May He restrain our tongues from strife,
And shield from anger’s din our life,
And guard with watchful care our eyes
From earth’s absorbing vanities.

3. O may our inmost hearts be pure,
From thoughts of folly kept secure,
And pride of sinful flesh subdued
Through sparing use of daily food.

4. So we, when this day’s work is o’er,
And shades of night return once more,
Our path of trial safely trod,
Shall give the glory to our God.

5. All praise to God the Father be,
All praise, eternal Son, to Thee,
Whom with the Spirit we adore
Forever and forevermore.


Ambrosian Chant

IAM LUCIS ORTO SIDERE by St. Ambrose
Listen

1. Iam lucis orto sidere,
Deum precemur supplices,
ut in diurnis actibus
nos servet a nocentibus.

2. Linguam refrenans temperet,
ne litis horror insonet,
visum fovendo contegat,
ne vanitates hauriat. 

3. Sint pura cordis intima,
absistat et vecordia:
carnis terat superbiam
potus cibique parcitas.

4. Ut cum dies abscesserit,
noctemque sors reduxerit,
mundi per abstinentiam
ipsi canamus gloriam. 

5. Deo Patri sit gloria,
eiusque soli Filio,
cum Spiritu Paraclito,
nunc et per omne saeculum. Amen.

December 13, 2013

It Were My Soul's Desire

From Earthly Cares to Rise

It Were My Soul's Desire is a translation by the Gaelic scholar and writer, El­ea­nor H. Hull (1860-1935) of an anonymous 11th century Irish poem. The recommended tune in the Divine Office is Maria Jung und Zart, first published in the Geistliche Catholische Kirchengesäng of 1623. Two alternative tunes that it can also be sung to are: Quam Dilecta and St. Cecilia, as featured in the following videos. In the Divine Office, It Were My Soul's Desire is sung with Morning Prayer.


Tune: Quam Dilecta

It Were My Soul's Desire translated by Eleanor Hull (Public Domain)

1. It were my soul's desire
To see the face of God;
It were my soul's desire
To rest in His abode.

 2. It were my soul's desire
 To study zealously;
 This, too, my soul's desire,
 A clear rule set for me.

 3. It were my soul's desire
 A spirit free from gloom;
 It were my soul's desire
 New life beyond the Doom.

 4. It were my soul's desire
 To shun the chills of Hell;
 Yet more my soul's desire
 Within His house to dwell.

 5. It were my soul's desire
 To imitate my King,
 It were my soul's desire
 His ceaseless praise to sing. 

6. It were my soul's desire
 When heaven's gate is won
 To find my soul's desire
 Clear shining like the sun.

 7. Grant, Lord, my soul's desire,
 Deep waves of cleansing sighs;
 Grant, Lord, my soul's desire
 From earthly cares to rise.

 8. This still my soul's desire
 Whatever life afford,
 To gain my soul's desire
 And see Thy face, O Lord.

Tune: St. Cecilia

December 8, 2013

Sing All Creation, Sing to God in Gladness

Joyously Serve Him, Singing Hymns of Homage

Sing All Creation, Sing to God in Gladness (Psalm 100) is written by the Scottish Jesuit priest, theologian and hymn writer: Fr. James J. Quinn (1919-2010). It is based upon Psalm 100 and is set to the tune: Diva Servatrix, from the Bayeux Antiphoner of 1739. It can also be sung to the tune: Christe Sanctorum, as featured in the following video. In the Divine Office, Sing All Creation, Sing to God in Gladness (Psalm 100) is used with Morning Prayer.


Tune: Christe Sanctorum

I Am the Holy Vine

So Shall You Yield Much Fruit

I Am the Holy Vine is written by the Scottish Jesuit priest, theologian and hymn writer: Fr. James J. Quinn (1919-2010). First published in 1969 as part of his collection: New Hymns for All Seasons, it is a versification of John 15:1-5. It is set to the tune: Love Unknown, composed by John Ireland (1879-1962) in 1918. In the Divine Office, I Am the Holy Vine is sung at Morning Prayer.


Tune: Love Unknown

November 30, 2013

Come, O Creator Spirit, Come / Veni Creator Spiritus

Make Within Our Heart Thy Home

Come, O Creator Spirit, Come is a translation of the 9th century Latin hymn: Veni Creator Spiritus (see 2nd video), attributed to Rha­ban­us Mau­rus (766-856). A Frankish Benedictine monk and theologian, he eventually became the Archbishop of Mainz and is considered one of the most important writers of the Carolingian Age. In 1899 it was translated into English by the British poet and playwright, Ro­bert S. Bridg­es (1844-1930). It is set to the 1848 adaptation of the ancient plainchant: Veni Creator (Mechlin), first published in the Ves­per­ale Ro­man­um Cum Can­tu Emen­da­to (Mec­hlin, Bel­gium). In the Divine Office, Come, O Creator Spirit, Come is sung at Morning Prayer.


Tune: Veni Creator (Mechlin)

COME, O CREATOR SPIRIT, COME by Robert Bridges, 1899 (Public Domain)

1. Come, O Creator Spirit, come,
and make within our heart thy home;
to us thy grace celestial give,
who of thy breathing move and live.

2. O Comforter, that name is thine,
of God most high the gift divine;
the well of life, the fire of love,
our souls' anointing from above.

3. Thou dost appear in sevenfold dower
the sign of God's almighty power;
the Father's promise, making rich
with saving truth our earthly speech.

4. Our senses with thy light inflame,
our hearts to heavenly love reclaim;
our bodies' poor infirmity
with strength perpetual fortify.

5. Our mortal foes afar repel,
grant us henceforth in peace to dwell;
and so to us, with thee for guide,
no ill shall come, no harm betide.

6. May we by thee the Father learn,
and know the Son, and thee discern,
who art of both; and thus adore
in perfect faith for evermore.


Gregorian Chant

VENI, CREATOR SPIRITUS - Rabanus Maurus, 9th century

1. Veni, creator Spiritus
mentes tuorum visita,
imple superna gratia,
quae tu creasti pectora.

2. Qui diceris Paraclitus,
altissimi donum Dei,
fons vivus, ignis,
caritas et spiritalis unctio.

3. Tu septiformis munere,
digitus paternae dexterae
tu rite promissum
Patris sermone ditans guttura.

4. Accende lumen sensibus,
infunde amorem cordibus,
infirma nostri corporis,
virtute firmans perpeti. 

5. Hostem repellas longius
pacemque dones protinus;
ductore sic te praevio
vitemus omne noxium.

6. Per te sciamus da Patrem
noscamus atque Filium,
te utriusque Spiritum
credamus omni tempore.

7. Deo Patri sit gloria,
et Filio qui a mortuis
Surrexit, ac Paraclito,
in saeculorum saecula. Amen.

November 29, 2013

All People that on Earth Do Dwell

Sing to the Lord with Cheerful Voice

All People Who on Earth Do Dwell is written by Wil­liam Kethe (d.1608?). Likely born in Scotland, Kethe was a Protestant exile who lived on the continent during the reign of Queen Mary (1542-1587). While in Switzerland he helped translate the Geneva Bible (which predates the KJV by 51 years) and translated twenty-five of the Psalms from French into English verse; one of which was Psalm 100, better know as All People Who on Earth Do Dwell. In 1561 it was included in the Anglo-Genevan Psalter, which was published to serve the expatriate English Protestant community living there. It is set to the the tune that Lou­is Bour­geois (c.1510–1560) had originally composed for Psalm 134 in John Calvin's Genevan Psalter of 1551. The melody has since become so closely associated with Kethe's paraphrase of Psalm 100, that the tune is known as the Old Hundredth. In the Divine Office it is sung at Morning Prayer.

Tune: Old Hundredth

ALL PEOPLE THAT ON EARTH DO DWELL by William Kethe, 1561 (Public Domain)

1. All people that on earth do dwell,
Sing to the Lord with cheerful voice.
Him serve with fear, His praise forth tell;
Come ye before Him and rejoice.

2. The Lord, ye know, is God indeed;
Without our aid He did us make;
We are His folk, He doth us feed,
And for His sheep He doth us take.

3. O enter then His gates with praise;
Approach with joy His courts unto;
Praise, laud, and bless His Name always,
For it is seemly so to do.

4. For why? the Lord our God is good;
His mercy is for ever sure;
His truth at all times firmly stood,
And shall from age to age endure.

5. To Father, Son and Holy Ghost,
The God Whom Heaven and earth adore,
From men and from the angel host
Be praise and glory evermore.

November 24, 2013

The Father's Glory, Christ Our Light

We Bless You Father, Fount of Light

The Father's Glory, Christ Our Light is written by the Benedictine Nuns of Stanbrook Abbey. It is set to the tune associated with the 7th century hymn, Creator Alme Siderum. In the Divine Office, The Father's Glory, Christ Our Light is sung during Morning Prayer.


Tune: Creator Alme Siderum

November 16, 2013

Transcendent God in Whom We Live

New Life and Hope Spring Up Again

Transcendent God in Whom We Live is sung with Morning Prayer in the Divine Office. It set to the tune, Morning Hymn by composer, Fran­çois H. Bar­thé­lé­mon (1741-1808). Written at the request of an orphanage chaplain in London, it was published in 1785 in Hymns and Psalms used at the Asy­lum House of Ref­uge for Fe­male Or­phans. The French born Bar­thé­lé­mon spent most of his working life in England where he enjoyed a very active career as a music instructor, composer and violinist.

Tune: Morning Hymn

October 7, 2012

From All That Dwell Below the Skies

Let the Creator’s Praise Arise.

From All That Dwell Below the Skies , first published 1719 is one of the most popular of some 750 hymns written by the Non-Conformist, Isaac Watts (1674-1748). There are a number of versions of this hymn including Hymn #19 of the Office which is sung to a different tune. This setting uses the melody, Eisenach (1628) by Johann Schein (1586-1630). He was one of the first German composers to add Italian Baroque elements of composition to Lutheran music. A popular alternative tune is Duke Street, as featured in the following video. In the Liturgy of the Hours, From All That Dwell Below the Skies is used during Ordinary Time for Morning and Daytime Midmorning Prayer.



FROM ALL THAT DWELL BELOW THE SKIES by Isaac Watts, 1719; 3rd stanza by Anonymous; 4th stanza by Robert Spence, 1780 (Public Domain)

1. From all that dwell below the skies,
Let the Creator’s praise arise;
Let the Redeemer’s Name be sung,
Through every land, by every tongue.

2. Eternal are Thy mercies, Lord,
Eternal truth attends Thy Word.
Thy praise shall sound from shore to shore,
Till suns rise and set no more.

3. Your lofty themes, ye mortals, bring,
In songs of praise divinely sing;
The great salvation loud proclaim,
And shout for joy the Savior’s Name.

 4. In every land begin the song;
To every land the strains belong;
In cheerful sounds all voices raise,
And fill the world with loudest praise.

October 6, 2012

From All That Dwell Below the Skies (with Alleluia)

Till suns shall rise and set no more.

From All That Dwell Below the Skies was written in 1719 by the "Father of English Hymnody," Isaac Watts. There are a number of versions of this hymn including Hymn #20 of the Office which is sung to a different tune. This setting uses Erschienen Ist Der Herrlich Tag by the Bohemian composer, organist, and chiormaster Nikolaus Hermann (c1480-1561). An early supporter of the Reformation, he was a friend of Martin Luther. JS Bach's own Erschienen ist der herrliche Tag, (Chorale-Prelude) is based upon the Herman original. A popular alternative tune is Lasst uns erfreuen, as featured in the video below. In the Liturgy of the Hours,  From All That Dwell Below the Skies is used during Ordinary Time for Morning and Daytime Midmorning Prayer.


Tune: Lasst uns Erfreuen (Begins @ 1:00 min.)

FROM ALL THAT DWELL BELOW THE SKIES by Isaac Watts, 1719; 3rd stanza by Ro­bert Spence, 1780 (Public Domain)

From all that dwell below the skies,
Let the Creator’s praise arise;
Let the Redeemer’s Name be sung,
Through every land, by every tongue.

Eternal are Thy mercies, Lord;
Eternal truth attends Thy Word.
Thy praise shall sound from shore to shore,
Till suns rise and set no more.

In every land begin the song;
To every land the strains belong;
In cheerful sounds all voices raise,
And fill the world with loudest praise.

October 3, 2012

Christ is the World's Light

He became our brother.

Christ is the World's Light was written in 1969 by Methodist Minister, Fred Pratt Green (1903-2000). A prolific hymn writer, his work often reflected his concern for social issues. It is set to, Christe Sanc­tor­um from the Par­is An­ti­phon­er (1681). In the Liturgy of the Hours, Christ is the World's Light is used during Ordinary Time for Morning Prayer.

October 2, 2012

We Turn to You, O God

O God of Every Nation

We Turn to You, O God was written by Fred Kaan (1929- 2009), a minister of the United Reform Church in the United Kingdom. A prolific hymn writer, Kaan often fashioned the lyrics from the subject matter of his sermons. The words are set to the tune, Intercessor by English composer, teacher, and music historian Sir. Hubert Parry (1848-1918), best known for his choral work, Jerusalem. In the Liturgy of the Hours We Turn to You, O God is used during Ordinary Time for Morning Prayer.

September 30, 2012

O God of Light

Each fresh beginning is your gift.

O God of Light was written by Fr. James Quinn S.J. (1919-2010) and was first published in New Hymns for All Seasons (1969). The text is set to the traditional English melody, Danby also used for the setting of 'Tis Winter Now, the Fallen Snow (1906) by Samual Longfellow.  The first video features a choral arrangement of 'Tis Winter Now, and the second has Father Quinn's words set to Pu­er No­bis (thanks to reader for comment below for helping identify tune). In the Liturgy of the Hours, O God of Light is used during Ordinary Time for Morning Prayer.
 
Tune: Danby


Tune: Puer Nobis

September 29, 2012

All Creatures of Our God and King

Lift up your voice and with us sing.

All Creatures of Our God and King is based upon the Canticle of Brother Sun by St. Francis of Assisi (1182-1226). Written in stages during the final year of his life, and nearly blind he wrote: "For his praise, I wish to compose a new hymn about the Lord's creatures, of which we make daily use, without which we cannot live." The text is a paraphrased translation by Wil­liam H. Drap­er (1855-1933), Pub­lic School Hymn Book, 1919. The tune is Lasst Uns Er­freu­en (Vigiles et Sancti), from the Jesuit hymnal: Ausserlesene Catlwlische Geistliche Kirchengesänge, adapted by Pe­ter von Brach­el, Cologne, 1623). It borrows elements of the earlier Genevan 68 (1539) by Mattaus Greitter (c.1494-1550). In the Liturgy of the Hours, All Creatures of Our God and King is used during Ordinary Time for Morning Prayer and during Easter.



ALL CREATURES OF OUR GOD AND KING by William Draper, 1919 (Public Domain)

1. All creatures of our God and King
Lift up your voice and with us sing,
Alleluia! Alleluia!
Thou burning sun with golden beam,
Thou silver moon with softer gleam!

 Refrain:  O Praise Him! O Praise Him! Alleluia! Alleluia! Alleluia!

2.  Thou rushing wind that art so strong
Ye clouds that sail in Heaven along,
O praise Him! Alleluia!
Thou rising moon, in praise rejoice,
Ye lights of evening, find a voice!

3.  Thou flowing water, pure and clear,
Make music for thy Lord to hear,
O praise Him! Alleluia!
Thou fire so masterful and bright,
That givest man both warmth and light.

4.  Dear mother earth, who day by day
Unfoldest blessings on our way,
O praise Him! Alleluia!
The flowers and fruits that in thee grow,
Let them His glory also show.

5.  And all ye men of tender heart,
Forgiving others, take your part,
O sing ye! Alleluia!
Ye who long pain and sorrow bear,
Praise God and on Him cast your care!

6.  And thou most kind and gentle Death,
Waiting to hush our latest breath,
O praise Him! Alleluia!
Thou leadest home the child of God,
And Christ our Lord the way hath trod.

7.  Let all things their Creator bless,
And worship Him in humbleness,
O praise Him! Alleluia!
Praise, praise the Father, praise the Son,
And praise the Spirit, Three in One!

God Father, Praise and Glory

O Most Holy Trinity, Undivided Unity

God Father, Praise and Glory is a 1936 translation by Fr. John Rothensteiner (1860-1936) of the German hymn: Gott Vater! Sei Gepriesen. It is sometimes referred to as O Most Holy Trinity. The original author is unknown. The tune is from the German hymnal, Mainz Gesangbuch (1833). In the Liturgy of the Hours, God Father, Praise and Glory is used during Ordinary Time for Morning and Mid-Afternoon Prayer.



GOD FATHER, PRAISE AND GLORY translated by John Rothensteiner, 1936 (Public Domain) 

1. God Father, praise and glory
Your children come to sing.
Goodwill and peace to mankind.
The gifts your kingdom brings.

Refrain:
O most Holy Trinity.
Undivided Unity;
Holy God, Mighty God.
God Immortal, be adored.

2. And you, Lord Coeternal,
God's sole begotten Son;
O Jesus. King anointed.
You have redemption won.

3. O Holy Ghost, Creator
The Gift of God most high;
Life, love and holy wisdom,
Our weakness now supply.