Bethlehem of Noblest Cities / O Sola Magnarum Urbium

Fairer Than the Sun at Morning

Bethlehem of Noblest Cities is a translation of the Latin poem, O Sola Magnarum Urbium by the Roman poet Aurelius Prudentius (348-c.413). He was a lawyer and Governor in Northern Spain. Although likely brought up a Christian (for he never writes of a conversion), later in life he experiences a profound sense of regret for his past zeal for career and worldly affairs. From then on he adopts an austere and penitential life and devotes his efforts to writing for the Glory of God. O Sola Magnarum Urbium was composed during this period. It is drawn from the lyrical poem Quicumque Christum Quærtis (Hymn for the Epiphany) from his collection, Liber Cathemerinon. In 1568, it was introduced into the revised Breviary by St. Pius V as the Lauds Hymn on Epiphany. In 1849 it was translated by Fr. Edward Caswall (1814-1878). It is set to the tune, Stuttgart attributed to Christian Friedrich Witt (1660-1716) and first published in the Psalmodia Sacra of 1715. In the Divine Office, Bethlehem of Noblest Cities is used during Christmas, at Epiphany, and other Feast Days of the Nativity.

Tune: Stuttgart

BETHLEHEM! OF NOBLEST CITIES by Edward Caswall, 1849 (Public Domain)

1. Bethlehem! of noblest cities
none can once with thee compare;
thou alone the Lord from heaven
didst for us Incarnate bear.

2. Fairer than the sun at morning
was the star that told His birth;
to the lands their God announcing,
hid beneath a form of earth.

3. By its lambent beauty guided,
see the eastern kings appear;
see them bend, their gifts to offer:
gifts of incense, gold, and myrrh.

4. Solem things of mystic meaning!
Incense doth the God disclose;
Gold a royal Child proclaimeth;
Myrrh a future tomb foreshows.

5. Holy Jesu, in Thy brightness
to the Gentile world displayed,
with the Father and the Spirit,
endless praise to Thee be paid.


O SOLA MAGNARUM URBIUM

1. O Sola magnarum urbium
maior Bethlehem, cui contigit
ducem salutis caelitus
incorporatum gignere.

2. Haec stella, quae solis rotam
vincit decore ac lumine,
venisse terris nuntiat
cum carne terrestri Deum.

3. Videre postquam illum Magi,
eoa promunt munera:
stratique votis offerunt
thus, myrrham, et aurum regium.

  4. Regem Deumque annuntiant
 thesaurus, et fragrans odor
 thuris Sabaei, ac myrrheus
 pulvis sepulchrum praedocet.

5. Iesu, tibi sit gloria,
qui apparuisti gentibus,
cum Patre, et almo Spiritu,
in sempiterna saecula.

Of the Father's Love Begotten / Corde Natus Ex Parentis

Evermore and Evermore

Of the Father's Love Begotten is a translation of the Latin poem, Corde Natus Ex Parentis by the Roman poet Aurelius Prudentius (348-c.413). It is drawn from his work Liber Cathemerinon, comprised of 12 poems that contemplate the canonical hours, and liturgical feast days and seasons. The original 1851 English translation by John Mason Neale (1818-1866) was later edited and re-edited by Henry W. Baker (1821-1877) and Roby Furley Davis (1866–1937) for various hymnals of the Church of England. It is set to the tune, Divinum Mysterium, first published in 1582 in the Piae Cantiones, and based upon an ancient plainchant melody (see 2nd video). In the Divine Office, Of the Father's Love Begotten is used during the Christmas Season and related Feast Days of the Nativity.





Corde natus ex parentis
Ante mundi exordium
A et O cognominatus,
ipse fons et clausula
Omnium quae sunt, fuerunt,
quaeque post futura sunt.
Saeculorum saeculis.

Let Us Worship The Lord of Creation

Come, Let Us Worship

NEW MUSIC - Let Us Worship The Lord of Creation is a contemporary chant setting of Psalm 95 with antiphon for the morning Invitatory of the Office. It is sung by the Benedictine Monks of the Mount Angel Abbey, St. Benedict, Oregon. The setting of the antiphon used: "Come let us worship Christ the Lord, we have left all things to follow him", could be adapted to fit most of the seasonal antiphons provided in the Liturgy of the Hours. The following video, produced by the Abbey gives us a meditative glimpse into the life of the monastic community as it answers the call to worship at the beginning of the day. Visitors and those on Retreat are welcome to join the monks of Mount Angel Abbey in the praying the Office or at Mass.

Hymns featured in the "New Music" series of posts are the Webmaster's personal recommendations, and are not necessarily part of any approved editions (past or present) of the Divine Office.