Showing posts with label Daytime Midmorning. Show all posts
Showing posts with label Daytime Midmorning. Show all posts

January 19, 2014

Daytime Prayer (The Little Hours)


The hymns selected for use with the Daytime Prayer in the Liturgy of the Hours reflect the varying themes of the "Little Hours" of the Office: Midmorning (Terce), Midday (Sext), and Mid-Afternoon (None). The modern Daytime Prayer has been arranged in such a way that the faithful can choose any one of these canonical hours and not miss any of the Psalms in the 4-week cycle; or if obliged or so desired, can pray all three of the hours. "Following a very ancient tradition Christians have made a practice of praying out of private devotion at various times of the day, even in the course of their work, in imitation of the Church in apostolic times." - General Instruction of the Liturgy of the Hours.

LITURGY OF THE HOURS (1975)
- Midmorning (Terce) -
21. Father, Lord of Earth and Heaven
22. Holy Spirit, Come Confirm Us
23. Come, Holy Ghost, Who Ever One
- Midday (Sext) -
24. Help Us, O Lord
25. Lord of All Hopefullness
26. Lord of All Being, Throned Afar
27. Almighty Ruler, God of Truth
- Mid-Afternoon (None) -
13. God Father, Praise and Glory
28. Firmly I Believe and Truly
29. Lord God and Maker of All Things
30. Most Ancient of All Mysteries
31. Faith of Our Fathers
82. Sing Praise to Our Creator
133. Come Thou Almighty King

DIVINE OFFICE (1974)
- Daytime Prayer -
O Blessèd Lord, Creator God
- Midmorning (Terce) -
Come, Holy Spirit, Live in Us
- Midday (Sext) -
Lord God and Maker of All Things
- Mid-Afternoon (None) -
Eternal Father, Loving God

January 12, 2014

Liturgical Guide: Midmorning Prayer (Terce)


"Indeed, these are not drunk, as you suppose, for it is only nine o’clock in the morning." - Acts 2:15 

The hymns selected for Midmorning Prayer (Terce) in the Divine Office draw upon the theme of the invocation of the Holy Spirit. It was at the third hour (9AM) when the Paraclete came down upon all those "gathered together in one place" at Pentecost. This brief pause of prayer during the morning's daily activity acts then as a kind of 'Confirmation', or spiritual strengthening for us to meet the challenges ahead. For more information see: Daytime Prayer.

LITURGY OF THE HOURS (1975)
21. Father, Lord of Earth and Heaven
22. Holy Spirit, Come Confirm Us
23. Come, Holy Ghost, Who Ever One

January 12, 2013

Splendor of Creation (Send Forth Your Spirit)

Like a Cloud That Conceals Your Face

Splendor of Creation (Send Forth Your Spirit) was written by Fr. Lucien Deiss, C.S.Sp. (1921-2007). It was first published in 1965 as part of his collection: Biblical Hymns and Psalms, Volume I. His hymns are used throughout the Universal Church. They have been translated into many languages, an example of which is the spanish version, Oh Señor, Envía tu Espíritu (see video). In the Liturgy of the Hours, Send Forth Your Spirit (Splendor of Creation) is used at Pentecost.

January 7, 2013

The Spirit of God

The Spirit of God Rests on Me

The Spirit of God was written by Lucien Deiss, C.S.Sp. (1921-2007). It was first published in 1970 as part of the collection: Biblical Hymns and Psalms, Volume II. Fr. Deiss was a Priest of the Congregation of the Holy Spirit. Known as Holy Ghost Fathers or Spiritans, from their founding in 1703, they have been dedicated to serving the poor and marginalized, and proclaiming the Gospel of Jesus Christ. In the Liturgy of the Hours, The Spirit of God is used at Pentecost.

Come, Holy Ghost, Creator, Come / Veni Creator Spiritus

From Thy Bright Heavenly Home

Come, Holy Ghost, Creator, Come is an anonymous 1876 translation of the 9th century Latin hymn, Ve­ni Cre­at­or Spir­it­us attributed to Rabanus Maurus (766-856). A Benedictine monk and theologian who eventually became the Archbishop of Mainz; he is considered one of the most important writers of the Carolingian Age. Veni Creator Spiritus (Come Creator Spirit) is sung on Pentecost at Terce and Vespers in the Roman Breviary. As a solemn invocation of the Holy Spirit, it has long been used by the Church at the ordination of Priests, consecration of Bishops, and is the hymn sung by the Cardinals entering the Sistine Chapel to elect a new pope. Come, Holy Ghost, Creator, Come is sung to Tallis' Ordinal. Throughout England's most turbulent period of religious change, Thomas Tallis (c.1510-1585) remained one of it's most important writers of sacred music. As composer and organist in the Chapel Royal from 1543 until his death in 1585, he composed and performed for Henry VIII, Edward VI, Queen Mary, and Queen Elizabeth I. In 1549, Tallis was commissioned by Matthew Parker, the (Anglican) Bishop of Canterbury to compose new music which would eventually be included in the Book of Common Prayer. Of the 9 tunes, the last was for the English translation of Ve­ni Cre­at­or Spir­itus which was to be used during the Rite of Ordination of Priests and Consecration of Bishops. The original text begins: "Come Holy Ghost, eternal God, which dost from God proceed; the Father first and eke the Son, one God as we do read." In the Liturgy of the Hours, Come, Holy Ghost, Creator, Come is used at Pentecost. Another translation of Ve­ni Cre­at­or Spir­it­us also used in the Liturgy of the Hours is Come, O Creator Sprit Blest.

Tune: Tallis' Ordinal

COME, HOLY GHOST, CREATOR, COME - Anonymous, 1876 (Public Domain)

1. Come, Holy Ghost, Creator, come,
From thy bright heav’nly throne,
Come take possession of our souls,
And make them all thy own.

2. Thou who art called the Paraclete,
Best gift of God above,
The living spring, the living fire,
Sweet unction and true love.

3. Thou who art sevenfold in thy grace,
Finger of God’s right hand
His promise teaching little ones
To speak an understand.

4. O guide our minds with thy blessed light,
With love our hearts inflame;
And with thy strength, which never decays
Confirm our mortal frame.

5. Far from us drive our deadly foe;
True peach unto us bring;
And through all perils lead us safe
Beneath thy sacred wing.

6. Through thee may we the Father know,
Through thee the eternal Son,
And thee, the Spirit of them both,
Thrice-blessed Three in One.

7. All glory to the Father be,
With his coequal Son;
The same to thee, great Paraclete,
While endless ages run.



VENI, CREATOR SPIRITUS - Rabanus Maurus (Public Domain)

1. Veni, creator Spiritus
mentes tuorum visita,
imple superna gratia,
quae tu creasti pectora.

2. Qui diceris Paraclitus,
altissimi donum Dei,
fons vivus, ignis,
caritas et spiritalis unctio.

3. Tu septiformis munere,
digitus paternae dexterae
tu rite promissum
Patris sermone ditans guttura.

4. Accende lumen sensibus,
infunde amorem cordibus,
infirma nostri corporis,
virtute firmans perpeti. 

5. Hostem repellas longius
pacemque dones protinus;
ductore sic te praevio
vitemus omne noxium.

6. Per te sciamus da Patrem
noscamus atque Filium,
te utriusque Spiritum
credamus omni tempore.

7. Deo Patri sit gloria,
et Filio qui a mortuis
Surrexit, ac Paraclito,
in saeculorum saecula. Amen.

October 9, 2012

Come, Holy Ghost, Who Ever One / Nunc Sancte Nobis Spiritus

Art with the Father and the Son

Come, Holy Ghost, Who Ever One is a translation from the original latin by Blessed John Henry Newman of Nunc Sanc­te no­bis Spir­it­us (see 2nd and 3rd videos) by St. Ambrose (c340-397). It was first published in Tracts for the Times (1836). Attributed to Ambrose of Milan, it was included in the Latin Breviary as the hymn sung during Terce, for it was at the 3rd hour (9AM) that the Holy Spirit defended upon the Apostles at Pentecost. It is set to the tune, O Jesu mi dulcissime from a collection of German Catholic hymns published in 1643, the Clausener Gesangbuch. It is better known in it's setting sung to the tune Wareham (see 1st video). In the Liturgy of the Hours, Come, Holy Ghost, Who Ever One is used during Ordinary Time for Daytime Midmorning Prayer.


Tune: Wareham

COME, HOLY GHOST, WHO EVER ONE by John Henry Newman, 1836 (Public Domain)

Come, Holy Ghost, who ever One
Art with the Father and the Son;
Come, Holy Ghost, our souls possess
With thy full flood of holiness.

In will and deed, by heart and tongue,
With all our powers, thy praise be sung;
And love light up our mortal frame,
Till others catch the living flame.

Almighty Father, hear our cry
Through Jesus Christ our Lord most high,
Who with the Holy Ghost and thee
Doth live and reign eternally. Amen.


Ambrosian Chant

NUNC, SANCTE, NOBIS SPIRITUS attributed to St. Ambrose (Public Domain)

Nunc, Sancte, nobis, Spiritus,
Unum Patri cum Filio,
Dignare promptus ingeri
Nostro refusus pectori.

Os, lingua, mens, sensus, vigor
Confessionem personent.
Flammescat igne caritas,
Accéndat ardor proximos.

Præsta, Pater piissime,
Patríque compar Unice,
Cum Spiritu Paraclito
Regnans per omne sæculum. Amen.


Gregorian Chant

October 8, 2012

Holy Spirit, Come Confirm Us

Renew Us, Console us

Holy Spirit, Come Confirm Us written in 1971 by Father Brian Foley (1919-2000) is set to the tune Laus Deo by Richard Redhead (1820-1901).  Despite his lamenting the decline in the use of plain chant after Vatican II, many of Fr. Foley's own hymns appeared in Catholic hymnals in the 60's and 70's. Organist and hymnodist, Richard Redhead was a member of the Oxford Movement of the Anglican Church. Laus Deo (Redhead 46) is better known as the tune for Bright the Vision that Delighted (see 1st video). The 2nd video features a rendition of Holy Spirit, Come Confirm Us sung to a melody written in 1959 called Kingdom. In the Liturgy of the Hours it is used during Ordinary Time for Daytime Midmorning Prayer.



October 7, 2012

Father, Lord of Earth and Heaven

Dwell within us, make us one.

Father, Lord of Earth and Heaven, with words by Fr. James Quinn, S.J. (1919-2010) is set to the tune Drakes Broughton by British composer, Edward Elgar (1857-1934). Written in 1878 when Elgar was just 21 years of age. The title refers to a wooded lane leading to Drake’s Broughton that the composer had a fondness for. In the Liturgy of Hours, Father, Lord of Earth and Heaven is used during Ordinary Time for Daytime Midmorning Prayer.

From All That Dwell Below the Skies

Let the Creator’s Praise Arise.

From All That Dwell Below the Skies , first published 1719 is one of the most popular of some 750 hymns written by the Non-Conformist, Isaac Watts (1674-1748). There are a number of versions of this hymn including Hymn #19 of the Office which is sung to a different tune. This setting uses the melody, Eisenach (1628) by Johann Schein (1586-1630). He was one of the first German composers to add Italian Baroque elements of composition to Lutheran music. A popular alternative tune is Duke Street, as featured in the following video. In the Liturgy of the Hours, From All That Dwell Below the Skies is used during Ordinary Time for Morning and Daytime Midmorning Prayer.



FROM ALL THAT DWELL BELOW THE SKIES by Isaac Watts, 1719; 3rd stanza by Anonymous; 4th stanza by Robert Spence, 1780 (Public Domain)

1. From all that dwell below the skies,
Let the Creator’s praise arise;
Let the Redeemer’s Name be sung,
Through every land, by every tongue.

2. Eternal are Thy mercies, Lord,
Eternal truth attends Thy Word.
Thy praise shall sound from shore to shore,
Till suns rise and set no more.

3. Your lofty themes, ye mortals, bring,
In songs of praise divinely sing;
The great salvation loud proclaim,
And shout for joy the Savior’s Name.

 4. In every land begin the song;
To every land the strains belong;
In cheerful sounds all voices raise,
And fill the world with loudest praise.

October 6, 2012

From All That Dwell Below the Skies (with Alleluia)

Till suns shall rise and set no more.

From All That Dwell Below the Skies was written in 1719 by the "Father of English Hymnody," Isaac Watts. There are a number of versions of this hymn including Hymn #20 of the Office which is sung to a different tune. This setting uses Erschienen Ist Der Herrlich Tag by the Bohemian composer, organist, and chiormaster Nikolaus Hermann (c1480-1561). An early supporter of the Reformation, he was a friend of Martin Luther. JS Bach's own Erschienen ist der herrliche Tag, (Chorale-Prelude) is based upon the Herman original. A popular alternative tune is Lasst uns erfreuen, as featured in the video below. In the Liturgy of the Hours,  From All That Dwell Below the Skies is used during Ordinary Time for Morning and Daytime Midmorning Prayer.


Tune: Lasst uns Erfreuen (Begins @ 1:00 min.)

FROM ALL THAT DWELL BELOW THE SKIES by Isaac Watts, 1719; 3rd stanza by Ro­bert Spence, 1780 (Public Domain)

From all that dwell below the skies,
Let the Creator’s praise arise;
Let the Redeemer’s Name be sung,
Through every land, by every tongue.

Eternal are Thy mercies, Lord;
Eternal truth attends Thy Word.
Thy praise shall sound from shore to shore,
Till suns rise and set no more.

In every land begin the song;
To every land the strains belong;
In cheerful sounds all voices raise,
And fill the world with loudest praise.

October 5, 2012

Breathe on Me, Breath of God

Fill me with life anew.

Breathe on Me, Breath of God was written by the Anglican Priest, Edwin Hatch (1825-1889). A noted scholar and Church historian, he wrote a con­cor­dance to the Sep­tu­a­gint, Essays in Biblical Greek (1889). Breathe on Me, Breath of God was first published in the pamphlet, Between Doubt and Prayer (1878) and was set to the tune, Yattendon by Harry Wooldridge (1845-1917), but is often sung to Trentham, as in the video below. In the Liturgy of the Hours it is used during Ordinary Time for Daytime Mid-Morning Prayer.

Alternative Tune: Trentham

BREATH ON ME, BREATH OF GOD
by Edwin Hatch, 1879, Public Domain

Breathe on me, breath of God,
Fill me with life anew,
That I may love what Thou dost love,
And do what Thou wouldst do.

Breathe on me, breath of God,
Until my heart is pure,
Until with Thee I will one will,
To do and to endure.

Breathe on me, breath of God,
Blend all my soul with Thine,
Until this earthly part of me
Glows with Thy fire divine.

Breathe on me, breath of God,
So shall I never die,
But live with Thee the perfect life
Of Thine eternity.